With Halloween almost upon us, I thought that a post on the late Ray Bradbury – that October Dreamer extraordinaire – was timely. After all, the season of thrills and chills never had a greater fan, or finer exponent of the Halloween-themed short story, than the great man. Bradbury only passed away fairly recently (he lived from 1920-2012) but he left behind him a vast, influential body of work ranging from science fiction to horror novels, short stories, plays and TV scripts. Best known for his dystopian novel Fahrenheit 451, Bradbury was one of the most celebrated 20th-century American writers, inspiring the likes of Stephen King, Ramsey Campbell and Robert Bloch to follow in his footsteps. Bradbury is credited with writing 27 novels and over 600 short stories – more than eight million copies of his works, published in over 36 languages, have been sold around the world. His honours include Emmy and Nebula awards, as well as the National Medal of Arts. However, leaving all these achievements aside, his work is particularly celebrated at this time of year – and he appears on this website mainly because of – his enduring love of the Halloween season. If you’re looking for something to put you in the mood this year, you could do much worse than seek out Bradbury’s Something Wicked This Way Comes or the stories of The October Country, which are nothing less than a series of passionate love-letters written about Halloween and all of its associated thrills and dread.
Although Daphne du Maurier is remembered as one of the finest novelists of the twentieth century, she is in many ways an unlikely success story. Daughter of the famous actor-manager Sir Gerald du Maurier, Daphne was educated at home in London, and then in Paris, before writing her first novel in 1931. Three others followed before Rebecca, in 1938, made her one of the most popular authors of the day (much to her own surprise). Nearly all her fifteen novels have been bestsellers, and several of her works became successful films, notably the version of Rebecca starring Laurence Olivier, and the chilling adaptations of her short stories The Birds and Don’t Look Now. Daphne herself was made a dame in 1969, in recognition of her unique achievement of writing novels that were both popular and literary classics. What merits her mention on this website is that she has been credited with shifting the Gothic mode towards romantic fiction with her novels, which were built on the work of the Bronte sisters and inspired a genre that has flourished ever since.
Shrouded in Arthurian myth and rich in mystical associations, the town of Glastonbury was once one of the most important destinations for pilgrims in England. Now thousands flock here for the annual music festival and for the summer solstice on Midsummer’s Day. Over the years history and legend have become intertwined, and the monks who founded Glastonbury Abbey, around 700 AD, found it profitable to encourage the association between Glastonbury and the mythical ‘Blessed Isle’ known as Avalon. Avalon was another name for the Otherworld, and was the place where King Arthur’s sword Excalibur was forged, as well as being the supposed site of his eventual tomb. Once Glastonbury and its conical hill, Glastonbury Tor, rising from a vast inland lake that covered much of present day Somerset, had been a sacred site of the Old Religion of the British Isles. Even today, it is a place where the very air is alive with the stuff of myth and legend. In Arthurian legend it was ruled by the enchantress Morgan le Fay and her eight sisters, every one of them skilled in the magical arts. Before that, it was said to be ruled by the dark Celtic deity Aballach. It has variously been called the ‘Isle of apples’ and the ‘Isle of glass’. In the Christian era, it was said to be the place where Joseph of Arimathea came carrying the Holy Grail in order to found Britain’s first church. All of these myths, legends and historical associations have inspired numerous fiction writers over the years, among them Phil Rickman, whose novel The Bones of Avalon, takes full advantage of this rich body of lore.
London has been the capital of England, more or less, for almost a thousand years. Much of the capital’s history is either hidden or forgotten, and this is especially true of the London beneath the feet of its residents. London’s sewers, tunnels and underground network stretch for uncounted miles deep below the bustling city, home to millions, which exists on the surface. Within those hidden depths lurk all manner of mysteries – the source of rumours, legends and nightmares down the centuries. There was a sensation in the 1860s, when it was feared, following the death of a well-known politician, that a band of criminals were stalking the capital, garroting anyone unfortunate enough to come into their path, then disappearing below ground. Then there was a string of news stories around the turn of the twentieth century, concerning reports of archaeological discoveries of hidden subterranean habitats and strangely large human remains found in the city’s sewers. But there is perhaps no story more terrifying than the persistent rumours over the years that the sewers of London are full of monstrous pigs that will one day free themselves from their foetid home and run riot through the city. The Black Swine in the sewers of Hampstead is one Victorian urban legend that has proved to be horrifyingly resilient.
Haddon Hall, perhaps the most simple and understated of English stately homes, is also one of the finest medieval manor houses in Britain. Nestled in the heart of the Peak District National Park, it certainly enjoys a picturesque setting, two miles south of Bakewell (known for its eponymous tarts) on the banks of the River Wye. In the mid-twelfth century the hall passed from its Norman founders to the Vernon family, who owned it for four hundred years until the most famous event in its history occurred. In 1558 the sole remaining Vernon heir, Dorothy, married John Manners, scion of another powerful family who later became Dukes of Rutland. Their union is commemorated in their joint tomb in Bakewell church, but the romantic story of their elopement may be apochryphal. Dorothy Vernon was 18 at the time and it is said that the couple eloped during the wedding of one of her sisters. There must have been some sort of reconciliation, as Dorothy and John later became owners of Haddon Hall. The hall has been owned by the Manners ever since then, but curiously enough has never been sold. The mansion fell into two hundred years of neglect from the start of the eighteenth century until the 9th Duke began restoring Haddon Hall when he moved there in 1912. No one quite knows the reason for the building’s neglect and seeming lack of interest to buyers – although this may have something to do with the fact that the ghost of Dorothy Vernon is said to appear there on a regular basis, usually seen on the steps leading up to Haddon Hall, as if being chased.
The House of Plantagenet was an Anglo-French royal dynasty that came to prominence in the Middle Ages. Although the Plantagenets transformed England from what was essentially a realm ruled from abroad under the earlier Norman kings into a powerful and independent kingdom in its own right, they came from dark and uncertain origins. The roots of House Plantagenet can be traced back to the House of Anjou, usually referred to simply as the Angevins, a family of Frankish origin descended from a ninth-century noble named Ingelger, who were Counts of Anjou since 870. The chronicler Gerald of Wales, however, borrowed elements of the Melusine legend to give a demonic origin to the Angevins. Melusine was a figure of European legend and folklore, a feminine spirit of fresh waters in sacred springs and rivers. She is usually depicted as a woman who is a serpent or fish from the waist down, and is said to possess eternal life as the result of a curse. Over the centuries tales of Melusine have been told by chroniclers as diverse as Sir Walter Scott, Marcel Proust, Felix Mendelssohn and A S Byatt. Melusine’s demon blood partly explains the commonly held belief that Lady Elizabeth Woodville – wife of Edward IV and mother of the Princes in the Tower – was a witch. At any rate the Angevin monarchs never shied away from their supposedly supernatural origins. The famous English king Richard the Lionheart was reputedly fond of saying that his whole family “came from the devil and would return to the devil” as a result of their descent from the demon countess of Anjou.
The ‘green flash’ or the ‘green ray’ is a term applied to rare optical phenomena that sometimes occur either right after sunset or right before sunrise. The latter term was made famous in the 19th century by the publication of Jules Verne’s classic sci-fi/romance novel of the same name. Basically, when the conditions are right, a green spot is visible above the upper rim of the disk of the sun. The green appearance usually lasts for no more than a second or two. Sometimes (rarely) the green flash can resemble a green ray shooting up from the sunset (or sunrise) point. This spooky optical phenomenon has played on people’s imaginations over the centuries, so it is perhaps unsurprising that the visionary Verne appropriated it for his famous tale. In Le Rayon Vert (to give the book its original French title) Verne’s heroes are trying to observe the green ray in Scotland. After numerous attempts prove unsuccessful due to clouds, flocks of birds or distant boat sails hiding the sun, the phenomenon eventually becomes visible but the hero and heroine, finding love in each other’s eyes, end up not paying any attention to the horizon. Whilst the plot sounds fairly risible, the idea of the green ray itself has proved to be an intriguing one to this day, even inspiring a recent film which has in many ways become as famous as Verne’s novel.
There are few places in the British Isles that are more grim, isolated and ill-omened than the barren isle of Mingulay in the Outer Hebrides. Located 12 miles south of Barra, it is known for its important seabird populations, including puffins, Black-legged Kittiwakes, and razorbills, which nest in the sea-cliffs. Today, iron age remains on the island offer mute testimony to the two thousand years or more of continuous habitation that Mingulay once knew. The culture of the island was influenced by both Vikings and early Christians and between the 15th and 19th centuries Mingulay was part of the lands of Clan MacNeil of Barra. These are merely footnotes in history, however, for the island has now been more or less deserted for more than a century. The island was abandoned by its residents in 1912 and has remained virtually uninhabited ever since – today it is no longer used even for grazing sheep. Whatever happened to the lost souls of Mingulay?
Fans of M R James probably know author Denis MacEoin better as Jonathan Aycliffe, writer of The Matrix. This novel features strong themes of black magic and necromancy, and is centred around an indestructible occult tome, known as the Matrix Aeternitatas (which, rather like the cursed talisman in M R James’ Casting the Runes cannot be given back once one has taken possession of it). Like James, Aycliffe is a master of mood and atmosphere, creating an increasing sense of creeping dread in the minds of his readers the longer they read his stories. It is therefore perhaps not surprising that Aycliffe shares James’ background as an accomplished scholar: he studied English, Persian, Arabic and Islamic studies at the universities of Dublin, Edinburgh and Cambridge, and lectured at the universities of Fez in Morocco and Newcastle upon Tyne in the UK. He even carried out his doctoral research at King’s College, Cambridge, which was James’ alma mater. Probably Aycliffe’s most famous work of fiction is Naomi’s Room, a novel of psychological horror, which shot him to fame in the 1990s. With the recent re-publication of Naomi’s Room, coinciding with the release of Aycliffe’s latest novel, The Silence of Ghosts, now is perhaps the perfect time to take a look back at this spine chilling classic.
I’ve often considered the Fens, a vast tract of land stretching north from Cambridge right up to Boston in Lincolnshire, to be one of the strangest and most compelling of all English landscapes. They are not beautiful in the conventional picturesque sense but, with their huge skyscapes and curious translucency of atmosphere, they are quite unlike any other part of England. For centuries they were an inhospitable wilderness of quaking bogs and marshland, punctuated by clay islands on which small communities eked out a living cutting peat for fuel, using reeds for thatching and living on a diet of fish and wildfowl. Although systematic draining in the seventeenth century transformed the Fens, reclaiming the land and making it extremely fertile, its towns and villages remained scattered and isolated. Even today, much of the land is either water-logged or under water altogether, making it extremely treacherous. The few remaining areas of undrained fenland, in particular, are notorious for the tales told there of drownings, disappearances and all manner of other strange sights and sounds. There has even long been a theory – not mine I hasten to add – that paranormal activity might be conducted through water vapour, making damp areas like the Fens a fertile breeding ground for all manner of supernatural phenomena. Perhaps it should be no surprise, therefore, that ghost stories are one thing that this dark corner of East Anglia is not short of.