The Shakespeare Conspiracy

27 May

William Shakespeare, the man known to history as the Bard of Avon and celebrated as the greatest playwright that the world has ever known, is at once a familiar yet elusive figure. Whilst there are few people on Earth who have not heard of or come across one of his plays, or at least one of his famous sayings, there is an enigma at the heart of Shakespeare’s character. Very few hard facts are known about the man, which has led to endless speculation about who exactly he was and how he came to write verse which is just as popular now as it was when it was first written, almost five hundred years ago. Some have even questioned the very identity of Shakespeare as the writer of the plays which made him so famous, pointing to the incredible breadth, variety and quality of his work as proof that an uneducated commoner could not have been behind them. Over the many centuries since Shakespeare’s death numerous theories have been put forward concerning the provenance of his plays, the true identity of their writer(s) and the reasons for the elaborate cover-up, if such existed. Hollywood got in on the act as well with the recent film Anonymous, which cashes in on one aspect of the Shakespeare conspiracy. There is, however, far more to tell, including facts which are even stranger than anything which ever appeared in Shakespeare’s plays.

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First Date

23 May

Click to read my short story First Date in Aphelion, the Webzine of sci-fi and fantasy!

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The Unwritten

20 May

If I mentioned a bespectacled boy wizard with an undead nemesis, two best friends and a flying familiar you might think I was talking about Harry Potter but what I’m actually referring to is The Unwritten, a clever, post-modern graphic novel series by Mike Carey. The comics follow Tom Taylor, who was the inspiration for a series of hugely successful children’s fantasy novels in the vein of Harry Potter, written by his father Wilson Taylor, who disappeared mysteriously just after writing the story’s conclusion. The Unwritten deals with themes related to fame, celebrity, and the relationship between fiction and human consciousness. Basically, Tom Taylor’s life was screwed up from the start because his father modelled his bestselling novels so closely on his son’s real life that the fictional Tommy Taylor’s fans constantly compared him to his counterpart (turning him into the most pointless variety of Z-level celebrity in the process). In Wilson Taylor’s final book it was even implied that the fictional Tommy would cross over into the real world, giving his delusional fans more excuses than ever to harass poor old Tom. Just when he thinks that his life cannot get any worse, the unfortunate Tom comes into contact with a very mysterious, very deadly group that has secretly kept tabs on him all his life. In the process of escaping from them, Tom travels the world to discover the truth behind his own origins. Tom’s journey of discovery takes him to places where fictions have impacted and tangibly shaped reality in all manner of forms, ranging from famous literary works to folk tales to pop culture. In the process of learning what it all means, Tom finds himself having to unravel a breathtaking conspiracy that may span the entirety of the history of fiction. Literate, absorbing and totally original, The Unwritten will simultaneously leave you wanting more and make you question everything you have ever read.

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The Golden Section

13 May

The golden section (or golden ratio) has fascinated Western intellectuals of diverse interests for over two thousand years. Basically, two quantities are ‘golden’ if the ratio of the sum of the quantities to the larger quantity is equal to the ratio of the larger quantity to the smaller one. If you can get your head around this, you may start to notice how this ratio appears frequently in mathematics, architecture and the arts — especially in the form of the ‘golden rectangle’, in which the ratio of the longer side to the shorter is, in the above sense, ‘golden’. Through the ages, the golden ratio has been regarded as having unique and interesting properties, both because it is intrinsically aesthetically pleasing and because it may have a deeper meaning. Some of the greatest mathematical minds in history, from Pythagoras and Euclid in ancient Greece, to the medieval Italian mathematician Leonardo of Pisa and the Renaissance astronomer Johannes Kepler, have spent endless hours musing over the golden ratio and its properties. Even today, the golden ratio is used in the analysis of financial markets, in strategies such as Fibonacci retracement. But the fascination with the golden ratio is not confined just to mathematicians: biologists, artists, musicians, historians, architects, psychologists, and even mystics have for centuries pondered and debated the basis of its ubiquity and appeal. This inevitably invites the question – what is it about the golden ratio that has so intrigued thinkers of all disciplines?

 

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A Haunting at Haworth

6 May

That the supernatural should be associated with the most famous trio of sisters in literature, the Brontës, should perhaps come as no surprise. Raised by their grim and brooding father, the Reverend Patrick Brontë, in the bleak hillside village of Haworth in Yorkshire, Charlotte, Emily and Anne were lonely, dreamy children. Their mother died the year after Anne was born and, since their surviving parent spent most of his time in his study – often even having his meals alone – the girls were left to themselves to read and wander on the wild empty moors surrounding their home. Together the Brontë children – they also had an unhappy brother named Branwell – made up stories of an unreal world, writing them in tiny handwriting on small sheets of paper, which they stitched together to look like real books. For one year Charlotte and Emily went to a school for the daughters of clergymen, but they were very unhappy there. This tumultuous early life inevitably found its expression in their fiction. Charlotte gave a terrible picture of her school in Jane Eyre, where she called it ‘Lowood’. Emily’s only novel, Wuthering Heights, is a wild, strange, powerful book, containing stirring descriptions of the Yorkshire moors that she knew so well. Anne’s novel, The Tenant of Wildfell Hall, contains a terrible account of a drunkard, which was written from what she knew about her brother Branwell’s alcoholic binges. The three sisters were very different in character. Anne was gentle and open, Charlotte was quiet but with very deep feelings, and Emily, who was perhaps the greatest of the three in talent, had the strongest and the strangest character. She was silent and reserved and endured pain of body and mind with determination; only in her writing can be seen the fierce passions which she kept hidden inside her. The three also each had very different attitudes and experiences of the supernatural.

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Northwest Passages

29 Apr

The Northwest Passage is a sea route through the Arctic Ocean, along the northern coast of North America via waterways amidst the Canadian Arctic Archipelago, connecting the Atlantic and Pacific Oceans. Sought by explorers for centuries as a possible trade route, it was first navigated by Roald Amundsen in 1903–1906. Before that it attracted an almost mythical significance as the link between Asia and the Americas and numerous attempts were made to map it. Perhaps the most famous (or rather infamous) of these was the ‘Lost Expedition’ of Sir John Franklin. This was a doomed British voyage of Arctic exploration which departed in 1845. Much-heralded at the time as the British Empire’s grand effort to explore one of the last frontiers of mankind, it ended in death, despair and darkness. Despite the expedition’s failure, the Victorian media nevertheless portrayed Franklin as a hero. It was only many years later that the horrific truth of what happened to Franklin and his men gradually  began to emerge.

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Supernatural Sleuths

22 Apr

The Gateway of the Monster… The Red Hand… The Ghost Hunter… To Sherlock Holmes the supernatural may have been a closed book but luckily for us other great detectives have always been ready to do battle with the forces of darkness instead. There are the casebooks of the Victorian haunted house investigators John Bell and Flaxman Low; Thomas Carnacki, William Hope Hodgson’s Edwardian battler against the abyss; horror master Arthur Machen’s Mr Dyson, a man about town and meddler in strange things; Robert Barr’s Eugene Valmont (who may have inspired Agatha Christie’s Hercule Poirot) and Donald Campbell’s young explorer Leslie Vane, the ‘James Bond of the jazz age’, who battled against occult enemies of the British Empire. More modern times have seen the introduction of Phil Rickman’s ‘Deliverance Consultant’ (diocesan exorcist) Merrily Watkins and James Herbert’s psychic investigator and ghost hunter David Ash to the genre. Sherlock Homes may have shunned all suggestion of supernatural agency, but thankfully his many rivals and literary descendants have not, leaving us with a delightfully large number of deliciously dark detective cases to enjoy for generations to come.

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Women of Otherworld

15 Apr

Canadian author Kelley Armstrong’s novels straddle the grey borderland between horror, speculative fiction and urban fantasy, without entirely falling into any of these genres. Despite the fact that her books deal with many types of supernatural characters, including witches, sorcerers, werewolves, necromancers, ghosts, shamans, demons and vampires, there is actually not a huge amount of gore, shocks or frights in them. Instead, Armstrong’s novels tend to superimpose supernatural characters upon a backdrop of contemporary North American life, with strong romantic elements. It is perhaps inevitable, therefore, that Armstrong has drawn strong comparisons with Charlaine Harris, Laurell K Hamilton and Kim Harrison, all of whose books tend to inhabit the same genre of contemporary paranormal romance as hers. Whilst the Southern Vampire, Anita Blake and Rachel Morgan series are all well known, however, Armstrong’s Women of Otherworld and Darkest Powers series are perhaps less so. However, for their wit, verve and sheer readability, I’d recommend any fan of the aforementioned other authors to seek out Armstrong’s work – you’re unlikely to be disappointed.

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The Pagan Roots of Easter

8 Apr

Easter is at once both an interesting and a mysterious time. One the one hand it is undeniably one of the most important Christian festivals of the year but on the other it has a wide range of baffling imagery related to it – eggs, the Easter Bunny, chocolate – even the very date of Easter Day differs on a yearly basis. Where did it all come from and what does it mean? Well, the word ‘Easter’ comes from the Old English Eostre or Ostara, the name of a Germanic pagan goddess. During Ostarmonath (the Anglo-Saxon equivalent of April) feasts were held in Ostara’s honour among the then pagan inhabitants of Britain. Ostara was a major deity among the early Germanic tribes (her name still survives in the form of modern Austria) and represented, among other things, the dawn, rebirth and light. As such she was closely related to the Greek Eos, the Roman Aurora and the Indian Usha. Given Easter’s association with the death and rebirth of Jesus Christ, it is also possible to begin to see a connection between this pagan goddess and one of Christianity’s major holy days.

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Zombie Pirates!

1 Apr

The concept of zombie pirates and ghost ships has most recently been popularised in the Pirates of the Caribbean films. However, stories of ghostly galleons crewed by undead sailors roving the high seas have been around for centuries. This is hardly surprising – the sea has always had romantic associations for poets and explorers but equally it represents the unknown and, as such, has also carried with it a certain element of dread. In the early days of exploration no one knew what lay outside the realm of human experience in those uncharted waters and hence legends, superstitions and ghost stories were told in order to fill the vacuum. The term ‘Between the Devil and the Deep Blue Sea’ entered into popular parlance precisely because there was a time when it was not known which was the worse of those two evils. Tales were told of sea monsters, ships of death and supernatural creatures haunting coastlines, estuaries and the seven seas. Some of these stories are now so famous that the mere mention of them is enough to strike fear into men’s souls – who has not heard the terrifying tale of the Flying Dutchman for instance?

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