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Dark Entries: Robert Aickman

13 Aug

Robert Aickman was the grandson of Richard Marsh, a leading Victorian novelist of the occult. Though his chief occupation in life was first as a conservationist of England’s canals he eventually turned his talents to writing what he called ‘strange stories’. Dark Entries was his first full collection, the debut in a body of work that would inspire Peter Straub to hail Aickman as “this century’s most profound writer of what we call horror stories”. So elegantly and comprehensively does Aickman encompass all the traditional strengths and available complexities of the supernatural story that, at times, it’s hard to see how any subsequent practitioner could stand anywhere but in his shadow. True, there is perhaps a typical Aickman protagonist – usually but not always a man, and one who does not fit so well with others, temperamentally inclined to his own company. But Aickman has a considerable gift for putting us stealthily behind the eyes of said protagonist. Having established such identification, the way in which he then builds up a sense of dread is masterly. His construction of sentences and of narrative is patient and finical. He seems always to proceed from a rather grey-toned realism where detail accumulates without fuss, and the recognisable material world appears wholly four-square – until you realise that the narrative has been built as a cage, a kind of personal hell, and our protagonist is walking toward death as if in a dream.

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