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T G Jackson – Architect of the Gothic

16 May

Around a hundred years ago, two celebrated Gothic architects each began writing ghost stories. One was the young American, Ralph Adams Cram, whose first book Black Spirits and White appeared in 1895, but was sadly never followed by any further similar tales during his remaining forty-eight years—whereas, unlike the much younger Cram, the veteran English architect Sir Thomas Graham Jackson waited until his eighty-fourth year to publish his own sole collection, Six Ghost Stories, in 1919. Although not really a ‘Jamesian’ writer, Jackson is clearly a genuine antiquarian, scholar, and classicist, and his personal love of arcane lore, objets d’art, historic buildings, and Italian antiquities is clearly evident in these traditional post-Victorian ghost stories. During his own lifetime, very few readers knew Jackson as a writer of ghost stories (or any other kind of fiction). He was celebrated as a great ‘New Gothic’ architect, with a special devotion to the Romanesque style. In retrospect he is seen as one of those pioneers who strove to loosen the bonds of rigid medievalism in the belief that by doing so a living Gothic style, capable of gradual development, would take the place of one that was bound by archaeology, and for which they felt there could be no future. An inveterate traveller, and pursuer of antiquities, he virtually rediscovered Dalmatia as far as its art and history were concerned. A brief résumé of his incredibly busy life and achievements will reveal the unique personality behind the long-neglected collection of Six Ghost Stories.

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