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Demons and Shadows: The Ghostly Best of Robert Westall

16 Oct

Robert Westall (1929-1993) was best known as a writer of books for children and young adults, often involving cats and themes surrounding his experiences growing up during World War II. He was twice honoured with the Carnegie Medal, the foremost British award for children’s literature. He was only the second author ever to win the medal twice, and no one has ever won a third. Westall’s most famous work is probably The Machine Gunners – for which he won the Carnegie Medal in 1975 – but he also produced a substantial body of ‘ghostly’ tales throughout his life, starting with his third novel The Watch House. It was the infinite strangeness of the supernatural that fascinated Robert Westall, not the horror, and in the opinion of some he remains one of the best and most undersung practitioners of the genre, and an obvious successor to that godfather of the English ghost story, M R James. Westall’s 1989 collection of supernatural short fiction Antique Dust was dedicated “To M R James, most economical of writers, who could coax horror out of a ragged blanket.”

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Video

Lost Hearts

11 Sep

I have been haunted by the writings of M R James since childhood but when asked what is my favourite of all his ghostly tales I’ve never fully been able to answer. Lost Hearts, an early tale which apparently James didn’t much care for, and which only appeared in Ghost Stories of an Antiquary to fill up the collection at the request of his publisher, does however retain a special corner in my affections. This was my first introduction to James and ever since I have always been surprised at the author’s seeming negative attitude to this particular story, which remains one of the classic short chillers in whatever guise it has assumed, on the page or on the screen. The plot is well known. Abney, an elderly scholar, reclusive and of independent means, invites his young cousin Stephen, recently orphaned, to live with him. His secret intention is to kill the boy in order to obtain his heart, which he believes will give him magical powers and, possibly, immortality. Two murders have already been committed for this purpose, and the young victims’ corpses carefully concealed, but their whereabouts are frighteningly disclosed to the intended next victim, and their intrusion back into the world of the living occurs in a series of disturbing incidents that culminate in the story’s horrifying denouement.

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Ghost Walk

5 Sep

Click to read my short story Ghost Walk in Aphelion, the Webzine of sci-fi and fantasy!

The Green Man

14 Aug

Sir Kingsley Amis first came to prominence when he won the Somerset Maugham Award in 1954 for Lucky Jim, one of the great comic creations of the 20th-century. In subsequent works he proved to be a master of invective and comedy, as well as revealing his interest in the supernatural in several short stories and the chilling novel The Green Man (1969), which was described by The Times as “an accomplished ghost story in the M R James style, under appreciated when it first came out, but winning some belated admiration when it became a television serial in 1990.” A clubbable, generous-hearted, though often irascible man, Amis unwittingly created a furore when the novel was first published. It was written in its original form as a radio broadcast intended to make listeners believe it was a factual account. The whole idea backfired, however, when – like H G Wells before him – he found people, including close friends, believing it was true! Indeed, despite the fact that he repeatedly stated it was a “lying narrative, fiction disguised as fact,” this misapprehension – like the theme of another of his short stories Who or What Was It? – haunted Amis for the rest of his life.

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At the Mountains of Madness

24 Jan

At the Mountains of Madness is a novella by horror writer H P Lovecraft, written in 1931 and first published in Astounding Stories. The story is a summation of Lovecraft’s lifelong fascination with the Antartic, beginning from the time when he had followed with avidity reports of the explorations of Scott, Amundsen and others in the early decades of the 20th century. The early parts of Lovecraft’s tale also clearly show the influence of Admiral Byrd’s expedition of 1928-30. The story details the events of a disastrous expedition to the Antarctic continent in September 1930 and what was found there by a group of explorers led by the narrator, Dr William Dyer of the fictional Miskatonic University. Throughout the story, Dyer details a series of previously untold events in the hope of deterring another group of explorers who wish to return to the continent. The novella’s title is derived from a line in The Hashish Man, a short story by fantasy writer Edward Plunkett, Lord Dunsany: “And we came at last to those ivory hills that are named the Mountains of Madness…”.

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Video

A Ghost Story for Christmas: The Tractate Middoth

13 Dec

Here’s a real treat to conclude the series of Christmas ghost stories that I’ve been posting for the last few weeks – the BBC adaptation of The Tractate Middoth from just a couple of years ago. Fingers crossed they do another one this year!

 

Video

A View from a Hill

6 Dec

Last week’s ghost story video seemed to go down pretty well, so here’s another M R James classic filmed by the BBC for your delectation:

 

 

Video

Number 13 by M R James

29 Nov

One of the joys of the festive season for me is enjoying a good, old-fashioned, spooky tale so, in the run-up to Christmas, I will be posting ghost stories from years past. The first of these is a masterly BBC adaptation of M R James’ classic Number 13:

 

The Great God Pan

21 Jun

The Great God Pan is an 1890 novella by the controversial Welsh ghost story writer Arthur Machen. On publication it was widely denounced by the press as degenerate and horrific because of its decadent style and sexual content, although it has since garnered a reputation as a classic of horror. In many ways the story reflects the author’s absorption with the wondrous, the uncanny and the unknown. “In every grain of wheat there lies hidden the soul of a star” Machen writes in an early page of The Great God Pan, which might be said to be the mystical doctrine that informs all of his principal writings. Machen’s novels and tales possess a thematic unity in that running through them all are two polarised strands – terror and wonder – and occasionally they meet and intertwine. Indeed, while the necromantic fantasies produced by Machen in the 1890s later led to him being labelled the ‘laureate of evil’, he had by then already assumed another mantle – that of the ‘apostle of wonder’, for the diabolic and the divine lie at the heart of his fiction. But Machen’s own life is perhaps his greatest creation; for it is exactly the life we might expect such a poet and visionary to have lived.

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The Mistletoe Bride

17 May

The Mistletoe Bride is a haunting short story by one of Britain’s finest living authors, Kate Mosse, who was inspired by a traditional English folk tale. Mosse describes how as a little girl she first came across the story of the ‘Mistletoe Bride’ in a book that her parents had – Folklore, Myths and Legends of Britain. In the book several places in Britain claimed to be the historical setting for the story – Skelton in Yorkshire, Minster Lovell Hall in Oxfordshire, Marwell Old Hall in Hampshire, Castle Horneck in Cornwall, Exton Hall in Rutland, Brockdish Hall in Norfolk and Bawdrip Rectory in Somerset. While the time and place is uncertain, the story, concerning a young bride who suffocates in an oaken chest, is always the same and is generally regarded as being founded on fact. However, its popularity can be laid at the door of the 19th century songwriter Thomas Haynes Bayley, who set the story to music and published it as The Mistletoe Bough in 1844. It was an instant hit and became one of the most popular Victorian and Edwardian Christmas music hall songs. The enduring nature of this particular story has led many to wonder how much truth there actually is to it or whether it instead taps into something more primal – fear of change, loss of innocence or awareness of the fragility of life?

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