A Mashup novel (for those of you who aren’t in the know) is a work of fiction which combines a pre-existing text, often a classic work of fiction, with a modern genre such as crime, fantasy or horror. Pride and Prejudice and Zombies, which combines Jane Austen’s classic novel with elements of modern zombie fiction, is one of the most famous and successful works in the genre, and has been credited with spawning a rash of imitations and cash-ins, such as Abraham Lincoln: Vampire Slayer, which does much the same with the historical autobiography. While some see the Mashup novel as re-energising fiction and bringing it to a wider audience than ever before, many criticise it for being too safe and lazy – the literary equivalent of the current penchant in Hollywood for reboots and prequels. What is unarguable, however, is the genre’s success. Both AL:VS and P&P&Z have topped the bestseller lists; the former has already been made into a Hollywood blockbuster while a film version of the latter is in the pipeline. So what makes Mashup novels so appealing and do they spell the beginning of a new golden age in genre fiction or the end of literature as we know it?
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