The answer to the above question may seem self-evident: in the Louvre. But the matter is not quite as straightforward as it looks. The Mona Lisa is better known in continental Europe as La Gioconda, or ‘the smiling woman’ – the word means the same as the antiquated English term ‘jocund’. It was painted, as everyone knows, by the great Italian artist Leonardo da Vinci. Mona Lisa was a young married woman who was about 24 when Leonardo met her. She was the wife of a man 20 years her senior, and when Leonardo started to paint her around 1500 she had just lost her child (her husband had to hire jesters and musicians to make her smile during the early sittings). For some reason Leonardo became obsessed with her, and went on painting her for several years, always dissatisfied with his work. He gave the unfinished portrait to Mona Lisa’s husband when he left Florence in 1505. This, we assume, is the famous portrait in the Louvre. Yet this raises a puzzling question. If it was given, unfinished, to Mona Lisa’s husband in 1505, how did it end up in the possession of King Francis I at Fontainbleu, in a finished state, a mere forty or so years later? Also, why, in 1584, did the art historian Lomazzo publish a book on painting in which he refers to ‘the Gioconda AND the Mona Lisa’, as if they were two separate paintings?
Top Posts & Pages
Liddell’s Ghost
Click image to read my short story, 'Liddell’s Ghost' in Cygnus, the Journal of Speculative Fiction.
Changed
Click image to read my short story 'Changed' in The Cynic Online Magazine.
First Date
Click image to read my short story 'First Date' in Aphelion, the Webzine of sci-fi and fantasy.
Ghost Walk
Click image to read my short story 'Ghost Walk' in Aphelion, the Webzine of sci-fi and fantasy.
M R James
-
Ghosts of Christmas Past
‘There must be something ghostly in the air of Christmas,’ wrote Jerome K. Jerome in the introduction to his darkly comic collection Told After Supper (1891), ‘something about the close, muggy atmosphere that draws up the ghosts, like the dampness of the summer rains brings out the frogs and snails’. Dickens would no doubt agree, […]
-
M R James’s Suffolk
The macabre beneath the landscape is not dispelled by nearness to the sea. What Henry James knew, and described in English Hours (1905) – the strangeness present on a flattened seashore – M R James (no blood relation, although the two were acquainted) expressed in two of his best-known ghost stories: Oh, Whistle, and I’ll […]
-
A Warning to the Curious
Here’s a real festive treat. In 2000 the BBC produced a series called Ghost Stories for Christmas, with Christopher Lee in which Lee played M R James reading four of his own stories. Lee, who actually once met James, obviously enjoyed making this series and A Warning to the Curious is a real highlight – enjoy!
-
Lost Hearts
I have been haunted by the writings of M R James since childhood but when asked what is my favourite of all his ghostly tales I’ve never fully been able to answer. Lost Hearts, an early tale which apparently James didn’t much care for, and which only appeared in Ghost Stories of an Antiquary to […]
-
A Ghost Story for Christmas: The Tractate Middoth
Here’s a real treat to conclude the series of Christmas ghost stories that I’ve been posting for the last few weeks – the BBC adaptation of The Tractate Middoth from just a couple of years ago. Fingers crossed they do another one this year!
Ghost Cities 