In the period between Halloween and Christmas, with the country in the icy grip of winter and the nights long and cold, there is nothing like a good scary ghost story to bring family and friends together around the hearth. One of my favourites in this particular film genre is 2001’s The Others, the sort of suspenseful chiller which doesn’t seem to come around too often, given the modern preference for out-and-out shocks and gore in horror movies. Probably the best recent example of a film in the mould of The Others is 2011’s The Awakening, starring Rebecca Hall and Dominic West. In post-World War I England, an author and paranormal sceptic (Hall) is invited to a countryside boarding school by one of the teachers (West) to investigate rumours of an apparent haunting. But just when she thinks she has debunked the ghost theory, she has a chilling encounter which makes her question all her rational beliefs. Call me old-fashioned, but I think that there’s something very clever about a film that is subtle enough to scare and unsettle its audience by placing suspense, atmosphere, a gripping plot and a quality script and actors at its heart. As an added bonus, The Awakening also has one of those jaw-dropping twists at the end that make you question everything that you’ve just witnessed. If you enjoy films like The Sixth Sense, An American Haunting and The Woman in Black, you’ll probably need to make room on your DVD shelf for The Awakening.
Books of the Dead
23 Sep
I wanted to begin this post by referring to one of my favourite horror films of the last decade or so, The Others. If you’ve seen it you’ll know that it’s a great ‘haunted house’ movie, with plenty of suspense and authentic shudders but an absence of the brainless blood and guts that seems to sum up a lot of modern horror. For me, it’s a particular delight because it’s very reminiscent of a lot of the classic ghost stories of the Victorian era, only on screen rather than on the page. The story is also classic in its simplicity – a troubled woman who lives in a lonely old house with a couple of creepy children welcomes a housekeeper, maid and gardener who soon turn out to be more than they appear. Like all the best haunted house films, there is a claustrophobic feel from the outset, with tension that builds to a level that is almost unbearable before the dénouement (which is probably the only weak part of the film – you’ve never read a ghost story or watched a horror film if you don’t see the ‘twist’ ending coming a mile off!). Continue reading